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The pappy was a rotund writer by the name of Wyllis Cooper.Though the series is often remembered solely for its gruesome stories and sound effects, Cooper's scripts for Lights Out were well written and offered innovations seldom heard in early radio dramas, including multiple first-person narrators, stream of consciousness monologues and scripts that contrasted a duplicitious character's internal monologue and his spoken words.By the late 1930s, radio drama was widely popular in the United States (and also in other parts of the world).There were dozens of programs in many different genres, from mysteries and thrillers, to soap operas and comedies.


Thanks to advances in digital recording and Internet distribution, radio drama was experiencing a revival in 2010.The success of these projects led to imitators at other stations.By the spring of 1923, original dramatic pieces written specially for radio were airing on stations in Cincinnati (When Love Wakens by WLW's Fred Smith), and other sources for May 1923 reveal at least 20 dramatic offerings were scheduled (including one-acts, excerpts from longer dramas, complete three- and four-act plays, operettas and a Molière adaptation), either as in-studio productions or by remote broadcast from local theaters and opera houses.However, recordings of OTR (old-time radio) survive today in the audio archives of collectors and museums, as well as several online sites such as Internet Archive.

As of 2011, radio drama has a minimal presence on terrestrial radio in the United States.Elizabeth Mc Leod's 2005 book on Gosden and Correll's early work Another notable early radio drama, one of the first specially written for the medium in the UK, was A Comedy of Danger by Richard Hughes, broadcast by the BBC on January 15, 1924, about a group of people trapped in a Welsh coal mine.



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